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Screw Your Courage

by Alexandra Y. Caluen

A midlife M/M romance novella about equality.

Casimir has a good life: a nice little house, a hard-to-get job, and an online store for his Shakespeare-inspired paintings. The only thing he’s missing is someone to come home to. Then ballet teacher Misha rings his doorbell.

Misha risked everything on America twenty years ago, and so far the risk has paid off. The only thing he’s missing is someone to share his future. Then he drops in at the online store’s showroom and meets the painter.

Casimir let his job cost him one important relationship already. Within a day of meeting Misha, he’s willing to take the biggest risk of his professional life. And Misha’s willing to stand at his side, no matter what happens.

Adult situation, themes, and language; 32,500 words and a happy ending.

Excerpt:

When Misha finally sat down. Casimir looked over, saw what he was holding, and smiled. “I’d almost forgotten I had that.”

“Where did you find it?”

“An estate sale three years ago. A lot of my best theatrical memorabilia came from the same sale.”

“Was it an actor?”

“No, a stage manager. It was all I could do to stick to the Shakespeare material.” Casimir touched the designer’s sketchbook. “I started painting Shakespeare after I found this.”

Misha looked shocked. “Oh, but how can you sell it?” He made a move as if to hand the book to Casimir, then drew it to his own chest, protectively.

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God, he was adorable. “I’ve photographed the whole thing,” Casimir explained. “There’s a table in the other room where I do all the listings for the shop. Since I was going to photograph several pages for the listing, I just did all of it. So it’s in my archive, along with the records from the sale, and what I found out about the person it belonged to.”

“The stage manager was the designer?”

“No, they were married. The designer died years earlier. All of that material might’ve been lost.”

“But the manager, he kept everything.” Misha was still clutching the book.

Casimir couldn’t stop smiling. “As far as I can tell, it was a really good marriage. They worked together for decades.” He glanced at the book, then made eye contact again. “It’s given you ideas?”

“Oh yes. All of us at the dance studio, we can barely dress ourselves. When it comes to costume and scenery, we’re like this.” He made a flailing gesture to accompany a clueless expression. “We look at other productions and steal things.”

Casimir laughed. The dancer was smiling back at him. He didn’t want this visit to end. “Do you have lessons this afternoon, or could I offer a cup of coffee? Or tea?”

The smile got warmer. “I don’t work the rest of the day.”

“Then could we … ?”

“I’d be happy to stay for coffee. Or tea.”

Casimir was about to say something – he didn’t know quite what – when he realized what he was hearing. He closed his mouth, blinked, and turned his head. Through the front window he saw, of all the freakish things, rain.

Misha followed his gaze. “Oh.” He set the sketchbook on top of the stack of schoolwork on that little table. “I walked here.”

“It probably won’t last long.” November in Los Angeles: one week might have lows in the forties and chilly gray skies, and the next might have highs in the nineties and shriveling sun. “But it’s good you don’t have to go right away.” It wasn’t even close to four o’clock, but if anyone else arrived, they could ring the doorbell. Casimir stood up, went to the front door, and removed the sign. It was pouring out there. Closed the internal door, turned around, and raised his eyebrows on a shrug. “You’re welcome to stay.”

“I won’t be in your way?”

“Not in the least. You’re welcome to find something else to read while I finish grading. Do you prefer coffee or tea? Because I really do have both.”

“Tea,” Misha said, smiling again. “Black tea, with cream?”

“Ooh, the same way I like it. Want to come through to the kitchen? I try not to have beverages out here.”

“Oh, of course. Thank you.” Misha glanced at the sketchbook again. He hated to leave it. Told himself it would be perfectly safe here, in the closed showroom, while he had tea with this absolutely wonderful man.

When the tea actually arrived – served not in the kitchen, but on a covered patio overlooking the backyard (which he’d’ve loved to see in the sunlight; it was alive with colorful flowers, defying autumn) – it was not in mugs. Casimir brought a tray with a classic Russian tea set, all rose-colored glass and gilt except for the actual teapot. That was porcelain, with a rose-pink glaze and a ballet scene on its belly, accented with gold. He set it on the table and watched Misha’s mouth drop open in astonishment. “I almost never have an excuse to use this.”

“Where did you? How did you?” The sentence fragments escaped in an embarrassingly high-pitched tone of voice.

Casimir was increasingly sure that this particular ballet teacher, arriving on this particular day, was the best thing that had happened to him for a long time. He wanted to pat the man’s shoulder. Or, more accurately, grab that ponytail and pull his head back and kiss him. Instead he said, “Another estate sale. The person had about twenty different tea sets, and I was there specifically for an English souvenir set that had a Shakespeare theme. I sold that almost immediately. But they had this one too, and I just liked it. They told me the scene is from ‘Swan Lake.’”

Misha leaned in, studied the tiny artwork, made a ‘could be’ face, and sat back. “It’s beautiful. You like pretty things.”

“Yes, I do. It’s not always easy to talk to men about pretty things.”

“I like pretty things too.” Misha had his head tipped back. He would’ve been thrilled if Casimir accepted the invitation and kissed him. But this was the first time they’d met, so he wasn’t disappointed when the other man simply smiled and sat down.

The tea was delicious. They talked about their jobs while they sat and watched the rain. After pouring them each a second cup, Casimir went back to the kitchen, returning with a rose-glass plate of cookies. Rain was still falling when plate and teapot were empty. Misha helped carry the dishes to the kitchen, glanced out the window, and made an apologetic face. “I can call an Uber.”

“Or stay.”

COLLAPSE
Reviews:Tony on Queeromance Ink wrote:

Screw Your Courage is a love story, told beautifully. It covers the last few weeks of the year 2018 when Casimir, a teacher and artist, meets Misha, a dance teacher. Their attraction for each other is immediate and almost undeniable.

Casimir teaches English at Olympus, a private academy, and has been single for the last four years as a result of not being able to come out to his employer and work colleagues. Misha, on the other hand, escaped from Russia so he could be free to express himself in safety.

As their relationship grows, Casimir decides that he does not want to hide any more, and that could become an issue for him and his employer. All Casimir wants to be able to do is bring his partner to work events, and to be able to say ‘we did’ rather than ‘I did’ when asked how his weekend went.

The only problem I had with the book was the constant switching of perspectives between Casimir and Misha. This happens almost paragraph by paragraph when they are together, and I found I had to backtrack every so often to be sure whose point of view I was experiencing. But once I was in tune with it, the story felt quite dynamic and exciting, with Casimir and Misha meshing together so well.

This is a heartfelt story, told with passion and joy. Casimir finds he has more support than he imagined as he screws his courage to the sticking place. It is a brave and lovely story with no chapters. Just go with it – you’ll love it as much as I did.


SCREW YOUR COURAGE features a main character who's closeted at work and his decision to prioritize a new relationship over the job.

About the Author

A long time ago and three thousand miles away, I wrote my first novel - a historical romance - during graduate school. Twenty years later I finally dusted it off and published it. Since then I have written and published many more novels and novellas; all romance, most contemporary. My characters (of various genders and ethnicities) range in age from eighteen to sixty-five, with the average falling in the mid-thirties. I'm inspired by authors like KJ Charles, Laurie R. King, Dick Francis, and Jennifer Crusie. I've lived and worked in Los Angeles since 1995.

Statement regarding AI: all works published under the names Alexandra Caluen and A.Y. Caluen were written entirely by the human being legally named Alexandra Y. Caluen, utilizing no AI tools. This author does not grant permission for any use of the works in machine learning or generative AI.

All cover art for the works published as A.Y. Caluen was created by the human being named RK Young. The author image used on A.Y. Caluen paperbacks was created by RK Young with AI tools.