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All of Our Undiscovered Countries

by J. S. Candela

All of Our Undiscovered Countries - J.S. Candela
Editions:Kindle - First Edition: $ 4.99
ISBN: ‎ B0HLP3Z4HS
Pages: 506
Paperback - First Edition: $ 19.99
ISBN: 979-8178226926
Size: 6.00 x 9.00 in
Pages: 506
Hardcover - First Edition: $ 29.99
ISBN: 979-8178227732
Size: 6.00 x 9.00 in
Pages: 506

A Realm awash in whispers and shadow, stitched together by memory and longing. A Tapestry that connects and binds all things, thrumming with the echoes of people and worlds long lost.

Jem Goodwin never intended to surrender himself to the all‑knowing Four. He crossed into The Realm desperate to find and reclaim his beloved Ben.

But The Realm is in chaos, the ancient order fracturing. Darkness may have found a foothold, and The Four, once perfectly neutral vessels, have begun to remember who and what they once were.

As Jem navigates The Realm, he discovers that his love for Ben is the only force The Four cannot predict, contain, or erase. Love is the one constant that binds every world, every life, every possibility — and it may be the only force powerful enough to defy The First One itself.

A queer liminal fantasy about love, devotion, grief, and the dangerous magic that binds and shapes the spaces between hearts — and entire worlds.

Published:
Publisher: Independently Published
Genres:
Tags:
Pairings: M-M
Heat Level: 4
Romantic Content: 4
Ending: Click here to reveal
Character Identities: Gay
Protagonist 1 Age: Under 18
Protagonist 2 Age: 18-25
Protagonist 3 Age: 18-25
Tropes: Coming of Age, Fated Mates / Soul Mates, Found Family, Star-Crossed Lovers, True Love
Word Count: 143,000
Setting: The Realm, a nexus world of The Tapestry of Creation
Languages Available: English
Series Type: Continuous / Same Characters
Excerpt:

I heave myself upright, exhaling a huge breath, relieved to find I can stand, though my legs ache as if I’d run a vast distance.

I open my eyes, glancing downward.

Cobblestones beneath my feet.

“What in Hell’s Fire?” I gasp, again surprised at the sound of my own voice. “What is this place?” I say aloud, an odd, wavery echo threading through the words.

I suck in a lungful of air, desperate for the familiar — the weight of breathing, the proof that I still have a physical body despite what the Harbingers have done to me.

That I still exist in a way that Ben might recognise.

Where is this? I wonder.

I look upward, and I instantly fall to my knees.

“Sweet Mother,” is all I manage, as the twilight sky steals my breath from me.

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It is nearer to gloaming than twilight, with an impossibly huge Moon dominating the sky, wafts of dark-coloured clouds barely occluding it. Bolts of multi-coloured lightning streak horizontally through the air, in colours that shouldn’t exist.

I hoist myself up, still breathing hard, and the air feels empty, false somehow.

Devoid of everything that air should be.

The cobbles feel almost right under my bare feet.

But they’re not cold.

They’re not uncomfortable.

Just wrong.

Thunder rumbles, and I feel it rattle my bones.

I look up again and note a dazzling aurora beyond the impossibly huge Moon — another weaving of beautiful, unbelievable colour.

I realise I’m not cold.

And then I realise I’m naked.

“Bugger—”

I look down at myself, oddly perplexed that I still seem to be me. Two feet. Ten toes. Knobby knees. I run a hand over my belly, then up and across my chest.

I feel right, and the thought itself seems ridiculous. I put both hands to my face, my fingers desperately charting a familiar topography. I brush my hands through what feels like a scouring‑pad mass of curls, and I desperately wish for a mirror, so as to confirm that I might look as I should.

“Oh bother,” I murmur, one hand straying instinctively to my nethers as I glance about.

It takes a long moment to remember why I’m naked, and where my clothes must be.

At Corvinatch Keep.

Where I left my Ben.

“Oh, Ben. What have I done?”

I shiver, but not because I’m cold.

I glance up at the impossibly coloured lightning, at the oversized Moon that is clearly not the Moon.

“Think what to do, think what to do,” I mutter, my voice sounding like mine but somehow discordant, off‑kilter.

“Ben!” I call out, not expecting an answer. “Ben?” My voice quavers in a ghostly manner, as an echo twisted into something dark and pervasive.

Saying his name comforts me despite the spectral echo. Saying his name helps me remember him, to keep him close to me.

All is deathly quiet, save for the faint thrum and flutter — and the undulating impressions of voices and laughter I’d heard upon my arrival here.

But I’m not alone. I sense others nearby, lingering at the edges of my vision, though I cannot properly perceive them for some reason.

I look around once more, and my surroundings are vaguely familiar, though they have no right to be. I’m instantly comforted, even as logic insists I cannot possibly be on Monument Street, in Barking.

In my London.

I whirl around, and sure enough, the hulking form of Camwell School looms there, shadow upon shadow.

All so familiar, yet not.

I glance down Monument Street, and the cobbles look wrong, their pattern disjointed, misaligned. The buildings arch and lean at strange angles, the street and sidewalks curving in ways they never had.

In ways they shouldn’t.

The bells of Barking Abbey toll — jarring, disharmonious — and I cannot tell what hour they mark.

“Damn it, Ben, what is this place?”

Again, I remember I’m naked.

“Shite.”

I’ve no idea how to clothe myself, and it’s not as if there’s anyone about to notice or care a whit. And since I’m not physically uncomfortable, I simply decide to let it go for now. I’d been painfully modest in the past, but clinging to such notions seems quite absurd, given my current situation, whatever that is.

I study my surroundings, and the longer I stare, the more I sense shapes around me — shadowy forms, some mostly human, others not at all.

Most shimmer and waver, and the more I look, the least human-looking of them waver the most.

I glance upward, barely discerning a multitude of winged forms perched on rooftops, parapets, clocktowers. They observe me in silence, motionless as stone gargoyles, though I know in my gut they’re Harbingers.

I look at my hands — and gasp. I’m shimmering, just the slightest bit as well.

And that’s when fear finally settles in, threatening to overwhelm me. So I start walking, singularly focused on the notion that I know these streets.

I can find my way.

If I can get back to the wharf — to the Thames — perhaps I’ll find something there, in whatever version of it that exists here.

Someone who knows something.

Someone who can help.

COLLAPSE
Reviews:Thevina on Smashwords wrote:

All of Our Undiscovered Countries takes the reader on a philosophical and ethically questioning supernatural tale, told through a queer coming of age lens. JS Candela creates a universe that consists of worlds within worlds, quantum and eldritchly connected. There are afterlives and liminal spaces, various interstitial earths and an ever-evolving hierarchy in the midst of change. As the primary protagonist, Jem, navigates the architecture of a realm which keeps changing on him, he also navigates intense lessons of the heart. The other narrator, Nox, serves as his foil and socratic companion, whether Jem likes it or not. There's magic and banter that must cross literal time and space as Jem and Ben are from the nineteenth century while Nox and Fergus, another couple, are from the early 1980s. Candela leans into each character with loving brogue and a distinct voice.

This philosophically rich, otherworldly tale will have you cheering for love, the constant thread through this densely woven tapestry of men learning to love each other– and even to love themselves.


About the Author

J.S. was born and raised in Ashtabula, Ohio, a small port town on the southern shore of Lake Erie. A Sunday’s child, an unrepentant Virgo, and an unwilling Catholic, J.S. gravitated towards science fiction and fantasy at an early age, especially the original Star Trek series, and he is a die-hard fan to this day. A self-proclaimed purveyor of pop music, J.S. still retains his collection of childhood 45s, his college vinyl, and over 1,000 CDs that he just can’t part with. J.S. came out as queer in his early twenties, though he’d been pairing M/M couples from mainstream media long before that. J.S. has penned a fair bit of M/M fan fiction across a number of fandoms, now focusing on M/M original fiction.