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The Unicorn, the Mystery from Adelaide Books

a novel y Janet Mason

by Janet Mason

The Unicorn The Mystery - Janet Mason
Editions:Paperback - First edition: $ 19.60
ISBN: ISBN-10 1953510256
Size: 5.00 x 1.00 in
Pages: 237

“In The Unicorn, The Mystery, we meet a unicorn who tells us the story of the seven tapestries, called “The Hunt of the Unicorn” from the 1500s on display in “the unicorn room” in The Cloister in Manhattan, now part of the Metropolitan Museum of Art. The tapestries tell the story of what is still called an “unsolved mystery.” The story is set in an abbey in France not far from the barn in the countryside where the tapestries were discovered. Pursued by a band of hunters, the unicorn is led along by observing birds, smelling and eating the abbey flowers and fruits (including imbibing in fermented pomegranates), pursuing chaste maidens (there is one in the tapestry) and at times speaks to other animals such as the majestic stag.

A magical, medieval world through the eyes of a unicorn and the heretical young monk who is enthralled by her is in The Unicorn, The Mystery by Janet Mason. Hunters are out to capture and perhaps kill the unicorn. The monk’s devotion may turn out to be the unicorn’s rescue or downfall. Like a beautiful tapestry, the novel weaves together theological debate and unforgettable characters, including queer nuns and their secret cat companion. Mason blends myth and history to conjure up a spellbinding vision.” - Kittredge Cherry, Publisher, Qspirit.net, Author of “Jesus in Love: A Novel”

“In her latest novel, The Unicorn, the Mystery, Janet Mason weaves a fascinating tale told from the alternating perspectives of a unicorn and a monk. With the gorgeous and magical Unicorn Tapestries at the Cloisters in New York as a conduit, Janet Mason unfolds her story with lyricism, poetry, philosophy, and a profound spiritual consciousness.” - Maria Fama, Poet and Educator, author of The Good for the Good, Other Nations: an animal journal, and other books.

“The Unicorn, The Mystery has all the big ideas -- passion, redemption, guilt, loneliness, empathy, pride, destiny, humility, lust, and love — told in simple, down-to-earth language. The unicorn's story will resonate with me for a long time.” - Louis Greenstein, author, The Song of Life

Janet Mason, an award-winning creative writer, is the author of THEY, a biblical tale of secret genders (Adelaide Books; 2018). Her book Tea Leaves, a memoir of mothers and daughters (Bella Books; 2012) was chosen by the American Library Association for its 2013 Over the Rainbow List. Tea Leaves also received a Goldie Award. Mason is also a teacher, a Unitarian Universalist lay minister, and blogger.

Excerpt:

Chapter One

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“There is too much blood.”
The child pointed to the bright red blood dripping down my otherwise pure white side -- and to the gash my horn had gouged in the side of the hunting dog. I do not normally hurt other animals – or humans for that matter – but the hound belonged to the hunters who had trapped and cornered me with their long javelins.
“That man is bad. I can see it in his eyes,” continued the child.
The child had a point. The man’s eyes are flat and glittering. Even as he points his javelin toward my head, you know that this kill – if it comes to pass -- will not be enough for him. He will want more. I can see this but even now I still wonder – why would anyone want to capture me? Why
didn’t they just leave me alone? Was I that important?
To distract myself from being bored, I watch the groups of people that pass through this room. Today, the most interesting person in the room is small and is wearing a shiny and long magenta dress. I’ve heard little girls so adorned called princesses. Really, they are imitating a time long gone, and they are re-living a myth. It’s true that in my day princesses lived in castles. But little girls were not passive. They had to be bred to be passive. The mythmakers thought that they would make future little girls passive through the repetition of fairy tales. But young women did not dangle their long blond locks from towers and wait for the handsome prince to come and save them. They did not sit beautiful behind locked doors, waiting to be rescued.
They may have had to do it in secret, but many princesses developed their muscles. They learned to use javelins, shields and spears. They unleashed their power -- even though they were frequently opposed and overpowered. I hear the tradition continues – despite the myth. This little princess may free me from the tapestry to tell you my story. Just remember that it is a real story -- not a fairy tale.
I am going to start in the middle of the story of how they captured me. I’ve always wondered myself. How was it possible? Part of my legend and lure was that it was impossible to capture me. But this was not always true. People have hunted my kind for many reasons. They may have claimed that they were chasing my horn which they fancied as imbued with all types of powers. My horn was said to be a cure-all for everything, including mortality – as if that could be cured. They were especially keen on insisting that a ground-up horn from my kind acted as an antidote to poison. This was an untruth of course. Everything was false. They were chasing that which cannot be caught.
Let me start at the beginning – or rather in the middle. Of course, I defended myself. What other choice did I have? I see in this tapestry, that I am cornered and there is blood. But I am still surrounded by beauty. There is a stream flowing in front of me. Another day, I would have bent my head, lowered the tip of my horn into the stream, and cleansed it so the other animals could drink.
There are a few birds: the common gray goshawk, the noble falcon with its long wings who is not taking any notice of the hunters behind me as it stares down at the stream; and several types of ducks, including the mallard with its regal white ring circling its neck. Far in the background, at the top of the tapestry, is the pomegranate tree I have just eaten a ripe fruit from before I wandered away. To tell you the truth I was savoring some fermented fruits on the ground – which always makes me feel a little giddy. That may be why I didn’t see the hunters come up behind me until it was almost too late.
My hindquarters raised, I was poised to jump over the stream. The person who did the drawing for the tapestry maker caught me between galloping away and the moment when I realized that I had to give a swift kick, with both of my rear legs, to the hunter behind me. He was so close that I could feel the steely wind from his javelin on my rear quarters. As I mentioned, I am not usually aggressive. But I do like to be alone. It seemed that these hunters -- suddenly surrounding me, with their javelins, bugles, and dogs -- wanted to disturb my solitude and more.
I am surrounded by flowers: white lilies, wild red roses, St. Mary’s thistle and my favorite, the pungent stock gillyflower. I can smell their mingled sweet and spicy scent. I see the blurred colors of lavender, pink and white as I gallop by. Nonetheless, I could still tell that the throng of hunters, that was gaining on me, meant to do me harm.
Now that I have time to really look at the scene depicted in this tapestry, I see that most of the men wear brown cloaks atop red tunics. Three of the men wear shiny blue cloaks crinkled like crushed velvet. All are wearing hats -- more than a few are red, others brown — perched on their heads. One man, standing in the back, the man with a bugle hanging on him, wears a fancy red hat with a feather plume curling up from the brim. He holds his javelin straight up with the wooden pole near the ground. He looks down like he is musing. A poet, perhaps? He appears to be someone who thinks he is above the fray. Given his fancy dress – and the fact that there was always a hierarchy, he could be a representative of the King. It is said that the King represents God. If it is true – as I’ve heard it said -- that I was a symbol of the son of God, then why would He want me captured? Wouldn’t He want me left alone to be part of the beauty of nature? There is so much in this world that doesn’t make sense.
I remember being in the grounds of the abbey. I was drawn there because there seems to be more room for solitude. The village inside the stone walls of the abbey was quieter and the people more contemplative. There was a church and a pig trough. The well was frequently unattended, so I could drink to my heart’s delight. There were more likely to be virginal maidens here – especially in the nun’s quarters – than other places. In the village that I had to pass through to get here, there were no virginal maidens at all. I had wandered into the burial ground, thinking that I could find some solitude. But then I had to flee from the people livingthere in makeshift tents and women plying their wares – and I do mean all of their wares.
At the top left of the tapestry, behind the trees, the cherry, the pomegranate, the walnut, the bushy oak, is a castle in miniature. On the middle tower, a red triangular roof that appears tiny in the distance flies an equally small flag, a triangle with a point on the end. Perhaps the castle is within view of the abbey to remind the holy ones – even the Bishop – that they work for the King.
I admit that I was afraid of the hunters. I was especially concerned about their intent to invade my solitude. But I was not fearful of going to the castle, because I heard that the princess there – the king’s only daughter – was a warrior princess. She was a beautiful and virginal maiden.
Surely, she would save me.
At the very top of the tapestry is a cerulean sky that has never seen smokestacks. The air was clean then. The forests were new, the land almost untouched by human hands and machines that were yet to be invented. The mountains smiled upon us. Everyone believed that I existed. It was undeniable that the earth was as alive as you or I. I could see the breath of trees -- the vibration of everything.
I was found and captured – my story stitched into the warp and weft of centuries. Most of the threads are common and natural such as linen and cotton. But some of the threads are metallic. The glitter is magic -- not only the stuff of my life but of yours too. These are the years that led to yours.
There were so many javelins coming toward me that I couldn’t stop to wonder then. But I do now. Who struck the final blow – if indeed there was one? Was it my human friend? I think of him as my friend, because he was the closest I’ve ever gotten to having a human friend. (I’ll tell you about him later.) I’m not saying that I was above reproach. Perhaps no one is ever really innocent. Looking back on that day, I realized that many wanted me dead. But I did not understand why – or perhaps I should say I refused to. To tell you the truth, I never thought of myself as dying. I know it is inevitable, but perhaps I was too vain. I thought that what happened to all other beings wouldn’t necessarily happen to me.
I found myself musing and arranging words that came tumbling out:

“You will find that I am the creature written about in holy books, and the one associated with evil.
You will find that I am the rareness that is everywhere.
I am many. I am one.
I desire to be alone -- yet I am always with you.
Wise men have written that I cannot be taken alive. Others say I am dead.
Worse, others deny that I ever existed.
Why do you belittle me, when I am wiser than thought?
I am the revered and the scorned one
I am the one who is always seen and the invisible one.
I am your purity, your hallucinations run wild.
I am said to represent your salvation – with my one horn.
But I existed long before this was said.
My will extends further into the future than you can see.
I am in the clouds above you.
I am the darkness of the woods.
I was captured, but I am free.
I answer to no man.
Even as you deny me, I am you.”

COLLAPSE
Reviews:Annabel L. Grote on Amazon wrote:

Magical Intriguing Novel
Reviewed in the United States on October 5, 2022
This delightful magical book speaks with the language of the heart while it is an investigation of the vibrational qualities of nature and the universe, spirituality, love and sexual desire, religious dogma and paganism. The Unicorn is a loving vain philosophical creature who befriends other animals, purifies water for all, covets solitude and represents the soul of goodness. Being fearful of humans, he/she still responds to some with curiosity and affection. In the framework of the story, the Unicorn is contemplating her eventual captivity while looking at the tapestries. One human the Unicorn feels stirring affection for is a young monk who is caught between ambition to be more powerful in the church, his fear of heresy, and love for the Unicorn whom he glimpses in the woods but no one believes that he has seen such a creature. This is an intriguing story which grabs the heart. Are there any unicorns in my local forest?

Trudie Barreras on Amazon wrote:

Very Imaginative and Beautifully Written:

“The Unicorn: The Mystery” by Janet Mason is yet another book brought to my attention by author Kittredge Cherry and her extremely important QSpirit ministry that deals with the interface between sexuality and spirituality. Mason’s fascinating novel uses a room in a museum containing seven tapestries featuring a Unicorn as the impetus for an intricate meditation on the conflict between mythological spirituality and the rigid dogmatism of a Christianity totally submerged in fear of heresy.

The two narrator-protagonists are the Unicorn and a Monk. The setting is an Abbey somewhere in France which includes an attached convent of female religious. The Monk, a young mystic who none-the-less has earthly ambitions of achieving power and prestige by becoming a priest, has been steeped in “pagan mythology” by stories his mother has told him. As the story opens, he sees the Unicorn basking in the sunlight and falls in love, both spiritually and erotically. The trouble begins when he naively describes his experience to his priest-teacher and sets in motion a chain of events leading to the hunting of the Unicorn, all of which are depicted in the tapestries upon which the Unicorn reflects while relating the story.

Throughout the story, various manifestations of eroticism are woven like the threads in the tapestries: a nun with a carpenter, who leaves the convent to be with him; two nuns who are carrying on a very secret and illicit affair; the priest who is obsessed with young handsome monks; and our protagonist, who is enamored of the Unicorn. These loves are all struggling with the tension between the triple injunction to love God, Self, and Other and the Old Testament insistence that no other love may conflict with obedience to God.

Mason is a masterful weaver of a marvelous tapestry of fantasy, theology, psychology and spirituality. This is a very imaginative and beautifully written meditation in novel form.

Gregg Shapiro on Bay Area Reporter wrote:

Taking inspiration from the 16th-century European tapestries known as “The Hunt of the Unicorn,” on display at the Met Cloisters, lesbian writer Janet Mason has crafted the novel The Unicorn, The Mystery (Adelaide Books), told from the viewpoints of a monk and, of course, a unicorn.


About the Author

Author: Loving Artemis, an endearing tale of revolution, love, and marriage (Thorned Heart Press); The Unicorn, The Mystery, a novel (Adelaide Books);  THEY, a biblical tale of secret genders (Adelaide Books); Tea Leaves, a memoir of mothers and daughters (Bella Books).  Mason is also an Unitarian Universalist lay minister and book reviewer for BookTube and Spotify.